“HE”: The Arts Leading to the Possibility of Reality

Ji Kang’s book “Sheng Wu Ai Le Lun” is the famous metaphysical and aesthetic thesis during the period of the Wei and Jin.Modern people read,they stressed the inherent contradictions of “Sheng Wu Ai Le” proposition,or they affirmed the particularity of “Sheng Wu Ai Le” proposition,and some of them compared this proposition with the Western pure art theory.After combing through the results of modern research and comparing the “Sheng Wu Ai Le” proposition with Confucianism and Taoism on the topic of music,we can easy finding that the item “He” is a great significance in Ji Kang’s book.In this paper,”HE” as a clue,to conduct in-depth interpretation of this thesis’ proposition and to think the core meaning of Ji Kang’s “Sheng Wu Ai Le ” proposition is to refute the ideas of “Su Ru” and the conception of music should be in the service of the politics and to discuss their own requirements of music and art with the center of “HE”.This paper focus on the reason for the implicit music,first of all,it has a natural body “HE.” then, the ontology of the natural “HE” as a form of abstract theories to further interpretation in terms of artistic expression on the performance by Ji Kang “HE BI” to describe the harmonious voice,that is,as a symbol of the form of performance “HE”.According to the aesthetic appreciation,Ji Kang adhere to the “He Sheng Wu Xiang” and definite “He Sheng Gan Ren”,that is,the aesthetic appreciation of the dialectic of subject and object “HE.” Feature on the art,the Ji Kang elucidate a new opinion of “Yi Feng Yi Su”,that is,the main “HE” and existence “HE” are unite of metaphysics expectance.